Anonymous What are some of the last books you've read? What did you like about them? Were there any that you didn't like or were disappointed in/ indifferent to?

Here are the last five books I’ve read.

  1. Looking for Alibrandi // Melina Marchetta
  2. The Folk Keeper // Franny Billingsley
  3. Light Boxes // Shane Jones
  4. The Language of Flowers // Vanessa Diffenbaugh
  5. Geektastic: Stories from the Nerd Herd // ed. by Holly Black & CEcil Castelluci

I absolutely loved The Folk Keeper. It was a quick book about magic and selkies, love and finding yourself. Absolutely delightful. Light Boxes was beautiful and original and surprisingly complex for such a short book. A charming experience. Looking for Alibrandi was okay. Not as good as Marchetta’s Jellicoe Road (which I adored) and Saving Francesca, so I was a bit disappointed, but it wasn’t bad. The Language of Flowers was a bit long, but I suspect it’s because I don’t read that kind of book often and am not used to the length of these stories. It was at times very poignant, but I wish it had centered on the flowers/flower business even more. I’m glad I read it though. It was good. Geektastic was the biggest disappointment. There wasn’t that many stories in it that I truly liked. Most left me kind of indifferent. I did enjoy the little comics in between each stories though. I’ve read some reviews that some people thought it was too specific sometimes, too geeky, but for me most stories were not geeky enough. It felt like most were trying to appeal to geeks, but by still having some appeal for a broader audience. I wish they had gone all out and made it really really geeky. I probably would have identified with some of the stories more that way.

treasuresandtrinkets Are there any adventure books that you really like and would recommend?

The first thing that popped into my head was The Sisters Grimm series by Michael Buckley. They’re Middle Grade books and full of action and adventures. They’re quite fun, and I am a tiny bit in love with the sisters, especially Daphne.

I’ll have to make a list. Lots of adventure books I read would fall more into the fantasy section of a bookstore, but nevertheless I’ll try to come up with something.

(via Untitled | Flickr - Photo Sharing!)
lilacsilk How do you come up with ideas for series of artworks? I never can. I can make a pair, or maybe three artwork that compliment each other and then I get bored and move on to a new idea. The problem is I have to complete an AP concentration and, really, I've got nothing. Could you share some of your ideas to give me inspiration? Any help would be a lifesaver at this point.

hmmmm. I work in stories in my head, and I am not a succinct type of person so I rarely can tell a story/idea with just one picture. That said sometimes I feel blocked too (okay, quite often).

Sometimes I deliberately choose something that has “multiples”. for example, when I wanted to practice watercolors, I wanted to do something long enough to be able to start understand the medium. I thought of different little portraits I could do, and then I thought about the different incarnations of The Doctor in Doctor Who. There’s 11 of them! To complete the project I would have to do 11 portraits. That seemed like a good way to start and I didn’t have to ask myself, “who should I paint next?” because I knew already, so I could just focus on painting and learning the medium.

I suggest you pick a larger theme, something that inspires you right now: The ocean, forests, museums, books, etc. Something big and rather vague. Then make a list (yes a list!) of the things you love about it, the things you associate with it, from objects (seashells, pine trees, insects, etc.), to insubstantial things (loneliness, happiness, wistfulness, etc.) to colors, etc. Anything.
I find that when I do that, there are themes and pictures in my head that start emerging, work on these ideas and separate them into however many paintings/artworks you need to do.

That’s one way, among many, to go at it. If you are still blocked you can choose something more fixed. Like if you need to do 7 artworks, for example, you can start with something that has 7 multiples, like the days of the week, and go from there.

this is long, sorry. But I hope it helps.

morningcrocodiles:

new project? Probably. I can’t stop writing lists, might as well paint some too.
Wanderer above the Sea of Fog, by Caspar David Friedrich
Seashells (by ~ Maria ~)
morningcrocodiles:

The Way the Moon Makes the Snow Sparkle
Made this for the “Why I Adore the Night” challenge on the Projet d’Amour blog. I needed an artistic prompt of some kind, and decided to go with this one.
(watercolors, white gel pen)
p.s. I need a better scanner.
[Flash 9 is required to listen to audio.]

Flume (Bon Iver Cover) - Lotte Kestner

aseaofquotes:

Robert R. McCammon, Boy’s Life
I guess that makes me a INFP personality? I swear I used to be closer to Extroverted than this. What has happened to me?
(via redheadbouquet)
amongthedays Your last post: BEAUTIFUL.

Thank you. I don’t even know what it means…I don’t know why I chose this ending. I feel that I still have the dream in my pocket by that I’ve grown weary and afraid of it. That is has grown distant because my own fear and insecurities have created a gulf between us. I didn’t know how to keep it close.

I don’t know why I think I should walk away. Maybe because it would be easier. Because I would stop feeling this way. And because I am a coward.

p.s It was a one-shot, unrevised and barely read over a second time. I have no clue how well it came out. Not sure I want to know.

I used to carry a dream in my right pocket, tucked safely in the furthest corner. I never put anything else in this pocket for fear that by taking them out I would inadvertently pull out the dream and lose it, the way you lose coins and pieces of paper with phone numbers on them. The dream had a soft weight, comforting against my thigh, slightly warm. I would constantly put my hand in my pocket and brush my fingers against the dream, feel its contours, its shape, letting its warmth spread through my hand and nestle in my shoulder, my whole arm glowing with unlimited potential. At night I would put it under my pillow and listen to the soft song it murmured through the darkness, carrying me through my sleep, until the morning light shone through the diaphanous drapes on my bedroom window. Then back in the pocket, the dream would go, and there it would stay, with me always, the most precious of all cargo I had ever had in my possession.

Until one day, after days, maybe years of carrying it, of knowing its weight, its shape, its very essence, I could not recognize it anymore. The language it spoke to me at night was foreign, the glowing warmth that used to fill my arm was icy cold. It had turned against me, or I had turned against it, but it was strange and alien to my heart. I thought I could learn to know it again, learn to love it again. I still loved it, in fact. Still wanted it, but could not reach it anymore. It was slippery like water on ice, and my fingers were buttery and the dream would evade my desperate grasp. So, one day, I slowly put my hand in my right pocket, pulled out the dream, and in one swift motion, I let it fall in the gutter. And I walked away.